Mathijs Stegink

Tag: anthropomorphism

  • Ecomorphic Puppet Workshop and interactive lecture | Kaboom Animation Festival

    Ecomorphic Puppet Workshop and interactive lecture | Kaboom Animation Festival

    A hybrid lecture-performance and participatory workshop exploring how we project humanity onto nonhumans, and how masks, puppets, and animated characters shape our sense of self and world. The project weaves theory, film examples and audience-puppetry to move from classic anthropomorphism toward “ecomorphism”: relating to animals, objects, and systems on their own terms rather than domesticating them into human ideals.

    Participants are invited to make simple sock puppets to then experiment with voice ownership, role swaps, and fourth-wall breaks to feel how identity co-emerges between mask and wearer. The lecture will be about suspension of disbelief and uncanny presence. References range from Disney, Gille Deleuze, Sergej Eisenstein, Donna Haraway, and Paul Wells to stop-motion material resistance and game worlds like Katamari or Everything, that explore relation over domination.

    Anthropomorphism vs ecomorphism, mask as code and persona, animism, the uncanny, ethics of representation, AI’s simulated “aliveness,” and the use of cuteness and stereotype in animation.

    Researching how belief, empathy, and projection are constructed in animation and puppetry.

    Practice decentering the human gaze through material play.

    Reflect on identity as performance and relation rather than essence.

    It will be a playful, critical laboratory that shifts viewers from consuming representations to co-creating relations—trading sanitized spectacle for the vivid, sometimes difficult aliveness of making and being made.

  • Doodles

    Doodles

    I teach in the illustration major at WDKA, and yet I rarely find time to draw myself. What I manage to do are doodles during meetings. They become pretty intricate (the meetings can be quite long). Doodling resonates with me because I see the world as a vast compost heap: everything decays, everything transforms. We are all biodegradable, always in the process of returning to dust. Doodling is a similar organic process and it shows that in an interesting way.

    From these scribbles, creatures emerge, cyborg-like insects, alien underwater beings, objects that fuse with humans. Everything is blending, dissolving, recombining.

    It is organic growth. What is intersting is that the fable of the grasshopper and the ant is often present: the ant stores, stacks, and plans; the grasshopper sings, dreams, and dances. I have always thought myself as the grasshopper: distracted, imaginative, irresponsibly alive while the world moves on without me.

    But I also have changed, I am now a anthopper or a grassant. I am not one or the other. I am a verb, a process, continuous shifting between ant and grasshopper.

    I used to think of death as becoming compost, but you never “become” compost, I already am :-). Always in motion, always growing, always dissolving.

    Since there is no end goal to it, doodling is a reflection of this impermanence, the constant blend between creation and decay. Many doodles are not documented here, because they were on paper and discarded!